I wouldn’t call these reviews so much as personal responses to movies I’ve seen recently. These are all up for rent - check them out! Or not, as the case may be…
Mirror Mask
I’ve been crushing on Neil Gaiman lately and thought his movie would be a good choice despite its lack of commercial success. This was meant to be this generation’s Labyrinth and Dark Crystal and I think in many ways it succeeds. A wonderful standalone fantasy with a brilliantly crafted world and Jim Henson Studio’s peerless creatures as well as some fantastic art and direction from Dave McKean. Its strength lies in its visuals – the characterizations and story are just fine but they don’t carry the movie. That’s not to say it’s all eye candy; there’s definitely some wonderful substance here, it’s just that the visuals go above and beyond.
It’s PG and more weird than scary for the most part. I think it would be fine for the family, though I don’t want to give the impression it’s just for kids either. I’m all grown and stuff and I enjoyed it greatly.
The Good Shepard
I like Matt Damon, and I like spy movies – you’d think this movie about the birth of the CIA would hold great appeal. Really, I think I’ve discovered that I like –Hollywood- spy movies. Give me Will Smith running from the NSA over this movie any day. Give me back my shiny American Heroes…or even cool dark anti heroes.
I don’t think there was anything –wrong- with the movie. It was different, in pacing, story telling, and characterization, and isn’t that what everyone is screaming for? Stop giving us the same one dimensional characters, we say! Stop spoon feeding us plots – complexity is okay! Do something original, for heaven’s sake! Give us some believable realism! I guess when you do that, though, you end up with something relentlessly depressing – a depressing story, depressing visuals, depressing characters…all leading up to a horribly depressing theme. I don’t remember even –one- ray of hope in this movie.
There were absolutely some ‘cool’ factors – I love that cloak and dagger spy shit and the movie had plenty of that. And there was something chilling and infectious about the movie overall – I still have bits of dialogue stuck in my head. It was a good movie – maybe even an excellent movie, but I would never watch it again and it’s not one I would recommend unless you want to get incredibly depressed.
Children of Men
Okay I have to get all my pervy Clive Owen drooling out of the way before I say anything else about this movie. Clive Owen is sex on a stick. From that gritty voice to those sexy eyebrows to those little curls on his neck…mmm.
At any rate, obviously I think Clive Owen was brilliant in this movie – all sexual harassment aside, I think he’s a good actor. The supporting acting was equally brilliant. What really got my attention, though, was the directing. A mix of slick, sexy noir and surprising video game cinematography, this film really got my attention. We went seamlessly from smoke filled, shadow-ridden scenes to bumpy almost-first-person action shots – every scene was compelling and beautiful.
All that said, I found the story a little weak. There were some bothersome plotholes and a lot they didn’t take the time to explain. It was enough to make me want to read the book to see if the questions they left hanging had answers. It’s actually pretty rare that acting and directing can make up for a poor story, but I couldn’t look away! There was one perfect scene that just blew me out of the water, but I don’t want to give major spoilers – I’ll just say it really is worth a watch. In spite of being a story about a dystopic future world, filled with violence and profoundly sad moments, it made some truly beautiful statements about the sanctity of life and humanity, and it was an essentially hopeful movie.
Music and Lyrics
Drew Barrymore can crank out these fluffy romantic comedies like nobody’s business. While not exactly original, it was well done for its genre. Hugh Grant was charming, playing…well, the same sort of character he always seems to play…and Drew Barrymore was adorable…like…always. There was a lot of self deprecating humor all around, though, and plenty of parody; they obviously didn’t take themselves too seriously, thus avoiding an embarrassing scene. They also made a few clever insights into the music industry that brought a smile to my face.
Overall, it wasn’t a bad date movie and it was good for a few laughs. I preferred The Wedding Singer though.
Catch and Release
Nothing like the death of a loved one to get the laughs rolling in! Somehow, this dark comedy actually worked – maybe it was the quality actors or clever, believable characters. Maybe it was the grossly inappropriate humor, or the multiple trainwrecks.
I hadn’t heard of this one – they showed it on the plane during the six hour flight from San Francisco to DC. I’m glad I didn’t read through it; it’s a worthwhile movie full of very human characters. A problem I have with a lot of chick flicks is that they tend to make men out to be evil and women out to be long suffering but secretly strong or some such crap, unless they are a mother in which case they are the devil, only misunderstood. These people were all different, all human, all just trying to pull it together and find happiness. The different relationships were wonderfully done and the train wreck moments were believable and without cynicism. For being such a dark movie, in fact, it was –remarkably- lacking in cynicism, and that was refreshing.




